Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Karl friedrich schinkel
Stage set for Mozart's Magic Flute

ID: 43854

Karl friedrich schinkel Stage set for Mozart's Magic Flute
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Karl friedrich schinkel Stage set for Mozart's Magic Flute


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Karl friedrich schinkel

German Painter and Architect, 1781-1841 German architect and painter. As state architect of Prussia (from 1815), he executed many commissions for Frederick William III and other royal family members. He based his work on the revival of various historical styles. His mausoleum for Queen Louise (1810) and the brick and terra-cotta Werdersche Kirche, Berlin (1821 ?C 30), are among the earliest Gothic Revival designs in Europe. Other works include the Greek Revival Schauspielhaus (1818) and Altes Museum (1822 ?C 30), both in Berlin. In 1830 Schinkel became director of the Prussian Office of Public Works; his work as a city planner resulted in new boulevards and squares in Berlin.  Related Paintings of Karl friedrich schinkel :. | The Banks of the Spree near Stralau | Morning | The Portico of the Queen of the Night-s Palace,decor for Mozart-s opera Die Zauberflote | the temple of lsis and osiris | Medieval City on a River |
Related Artists:
Marquis, James Richard
Irish, Scottish heritage, Active 1835-85
Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
VITALE DA BOLOGNA
Italian Gothic Era Painter , b. 1289/1309, Bologna, d. 1359/69, Bologna






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